Kollab Watches: Fresh off the Boat Episode 2.06 – “Good Morning Orlando”

Remember how I said that the fourth episode for this season of Fresh Off the Boat was a definite favorite? Well this week’s episode, “Good Morning Orlando,” can officially be added to the same list. From the humorous awkwardness that comes with first love, to a social commentary that definitely hits close to home, this episode went above and beyond with stories to enjoy and contemplate.

It’s been two weeks since the Fall Ball, and Eddie hasn’t spoken to Allison since then, but that hasn’t stopped him from thinking about her (“She punched me in the armpit. It was amazing!”). However, according to her group’s messenger boy Ned (don’t ask), it turns out they’ve been an item since that fateful mash pit. Soon Eddie’s friends wind up with Allison’s other friends and they go on a romantic first group date of passing each other on the escalators at the mall. But when one of Eddie’s friends suddenly faces a break up from a girl he didn’t realize he was with, they come to realize: Who the hell are their girlfriends?

I thought it was humorous how the episode portrayed Eddie, his friends, and their first girlfriends’ idea of dating ( and where passing each other on an escalator is equivalent to nailing a first date). It’s a nostalgic look back at the days of first experiencing butterflies in your stomach just from the sight of someone you’re into, and the nagging questions of whether you should talk to them, what you should say, and whether or not the feeling is mutual. It was also fun to take a nostalgic look back at a pre-mobile phone era. If this story had taken place today, I think Eddie would have probably received that “Hi!” from Allison via text (or Snapchat?), instead of a physical note. It was sweet that in the end, Eddie finally figures out – via the wisdom of Emery- that to make a relationship work, communication is key (and maybe the girls should consider this advice too and not have a representative do all the dirty work for them).

Meanwhile, Louis is approached by the co-hosts of Good Morning Orlando to come onto the show and promote Cattlemen’s Ranch. Jessica sees it as a perfect opportunity to bring more business- and ultimately more money- to the restaurant (especially after she didn’t take Honey’s husband’s advice about checking her now termite-infected restored house). He appears to make a good impression on the show by cracking imitations of Donald Duck and Rocky Balboa. However, upon his arrival home, Jessica calls him out on his foolishness and accuses him of how he might have created a negative portrayal of Chinese people, invoking the one thing Louis hated from Sixteen Candles, Long Duk Dong (yeah, she went there). But when he is banned following a second appearance on the show where he accused the co-hosts of racism, Louis comes to his senses that he can’t please everyone and should just be himself.

While promotion leading up to this episode was mainly concerning whether or not Eddie and his friends have game at the tender age of twelve, it was Louis’ storyline that I loved most about this episode. I liked that Louis told Jessica, after she lectured him on how he should be acting on TV, that “one person can’t be everything.” It was a clever way to talk about #repsweats, a term coined earlier this year describing the many expectations placed on Asian Americans on TV to “properly” represent themselves to audiences, because as a community we are so afraid of misrepresentations (like with Long Duk Dong). Putting that internal struggle of our community into the context of Louis’ story line in this episode was brilliant and helps deliver that message to viewers who might not have been aware of it before. We are fortunate today to have two shows (so far) that center around Asian American families, and as Louis would likely agree, we still have a ways to go before we get over the #repsweats, but it’s a start.

On a final note, I don’t know if Fresh Off the Boat is one of those shows where shipping couples is a thing, but now that Eddie and Allison are actually together, what would their couple name be? Eddison?

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Featured image courtesy of ABC

Meet the Kollaboration Star 2015 Finalists: Houston’s Casey Luong

Casey Luong, will be Houston’s representative in the Kollaboration Star showcase this November, and you can find a small sample of his work at his bandcamp! This article is a follow-up article to this bangin’ article written by Bryan here, so be sure to read the prequel first!

For guitar-slinging singer-songwriter Casey Luong, what started as an attempt to prove those who doubted and discouraged him from self-expression morphed into a wild and endless personal journey. This journey eventually led him, starry-eyed, to a competition at the Aratani Theatre in Los Angeles’ Little Tokyo.

After placing first at a benefit competition event, Casey realized that he was not only serious, but truly passionate about music. He vowed thereafter to always perform when given the chance. That determination eventually lead his to claim the title at Kollaboration Houston’s showcase on 2015. When asked about the highlight of his career so far, he responds that it would have to be this leg of the adventure, being able to perform at the Kollaboration STAR showcase. When asked who he looks forward to competing with the most at STAR, he says that while he’s looking foward to hearing from all the acts and seeing what they bring to the stage, he’s most interested in meeting Peter Chung, Kollaboration LA’s winner. He explains that he feels the fellow singer-songwriter could very well be an “older version” of himself, but with more depth and experience. 

Luong’s main influences are John Mayer, Ed Sheeran, Jason Mraz, and Adam Levine (who, like Casey, also sports a tiger tattoo on his right arm), but like most artists, he also draws influences from a large variety of artists. He’s an unashamed fan of Bieber’s most recent works which according to Casey have “the most honest lyrics to date.” He also adores the unique tones and styles of The Weeknd and The 1975, and hopes to learn from them in how to fit his music into something niche yet popular.

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Often referring to his music as his own personal diary, the songs that Casey writes act as a “recollection” of what he’s been through and endured through in not only his ongoing college career as well as experiences growing up in of Sugar Land, Texas. He’s intent on producing his own original works, and with no sign of stopping. As with all great music, he says, his music is a reading–if not a dialogue between artists and listener–of his tales. For Casey, music was never about the fame. “It’s not about being the popular guy on the block,” he states, with an unshakable conviction in his voice. “It’s about the artistry.” Artists, he says, “should never compromise the integrity of the music.”

Casey aims to continue growing as an artist, writing more, and developing his sound. When asked about why he no longer posts covers on YouTube, he reasons that, from his humble opinion, covers are hardly candid. “It isn’t an honest expression of an artist,” he defends. One of the genres he hopes to incorporate into his sound is the blues. “Blues is far more complex,” he explains, explaining how he appreciated the technical skill showcased by artists in the genre, something casual listeners might miss. His ultimate dream in music creation is to find that perfect balance between musical complexity and appeal. In the near future Casey plans to add a MIDI-pad to his setup, which already includes a loop-pedal, to hopefully allow him reach a whole new level of expression.

To Casey, music is the centerpiece of his life. He’s grateful and awed at the support he’s received not only from friends and family, but from strangers as well. He credits their support and love at every opportunity. However, from his point of view, his greatest motivations are not external, but internal, finding the artist within. Not that he wouldn’t mind becoming famous, but he’s always been realistic, and is thankful that “what [he] loves to do isn’t what [he] needs to do,” hence why he’s also currently seeking a career in nursing. If the opportunity presented himself however, he readily admits that a rockstar lifestyle, not unlike those of his musical idols, would be hard to turn down.

Asked what it would take for him to fully pursue such a lifestyle: “getting signed,” he smiles, “would be a good start.”

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Watch Casey perform for the chance to win $10,000 at Kollaboration Star, taking place 11/14/15! Tickets are on sale now at star.kollaboration.org

Kollaboration SF Interviews Buzzfeed’s Ashly Perez

Ashly Perez sat down with Kollaboration SF Staff Member, Layla Yu, to talk about the importance of representation for Asian-Americans in the media, working at BuzzFeed, and insecurities. Perez hosted Kollaboration San Francisco’s 6th annual Artist Showcase held at the Memorial Theater in San Francisco on October 10, 2015.

Watch all 3 parts of this exclusive interview series, and then check out Kollab SF’s excellent writeup.

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See more from Kollaboration SF

Kollab Watches: Dr. Ken 1.05 – “Halloween-aversary”

It’s always a lot of fun to see what you can learn about your favorite characters through what they dress up as for Halloween. In this week’s Dr. Ken, we learn that Damona loves Beyonce, Julie is a Game of Thrones fan (and winner of the Dr. Ken costume contest), Ken is tone deaf (not a surprise), and Clark wears couple costumes with an invisible friend (I’m assuming Keith is the ketchup to his mustard). The kids even get in on the fun with Molly dressing up as a nurse and Dave as Dr. Frankenstein (because, why be the monster when you can be the man who played god).

Halloween turns out to be an extra special day for the Park family as the day that Ken proposed to Allison 20 years ago. However, we learn that it wasn’t special in a sweet romantic way, Ken totally botched his proposal, and although they went and got married anyways, it remains a sore spot as they’ve never had a romantic proposal story to tell. So as a way to create a better story, Ken decides to re-propose to Allison during their annual Halloween date.

Meanwhile back at Welltopia, Pat accidently eats a prescription narcotic lollipop off of Julie’s desk, and Damona and Julie spend the episode trying to deal with (and exploit) their boss as he’s tripping balls. Now, while it was fun to watch the hijinks ensue, it was a little concerning that it was hard to distinguish the “high Pat” in this episode with the Pat that tried to shoot himself with a nail gun a few episodes past. Not to say that maybe Pat’s just always on drugs, but it seems to be more of a symptom of the way the character is written to just be a cartoon character/joke machine (a complaint I’ve made before).

The Park kids get their own sub-plot in this episode as well, with Molly and Dave fixing their dad’s treasured skeleton model Gary after accidently breaking it en-route to a party (silly Gary, even skeletons need to wear seatbelts). It was a sweet couple of scenes that demonstrate the adorable chemistry between the two siblings, and it was nice to see non-dumpy Dave again, I hope he stays around.

In the end, Ken’s new proposal plan runs into a few snags, but the result is one of Dr. Ken’s first emotionally resonant scenes. Anyone who’s seen the excellent independent movie Advantageous (on Netflix now) knows that Ken Jeong is absolutely capable of nailing a scene heavy with emotion, and while his tearful recap of his life together with Allison may be a little over the top, he sells it like no other and aims directly for the feels. For a show where the jokes never land 100%, this scene absolutely got to me, and I remain optimistic of the future potential of this show.

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Featured Image Credit – ABC

Kollab Watches: Fresh off the Boat 2.05 – “Miracle on Dead Street”

One of the things that executive producer Melvin Mar said that he was most looking forward to this season at CAAMFest San Jose last month were the holiday episodes. Since the first season began as a mid-season replacement, the show never got a chance to do any special episodes of the kind. That’s what made this week’s episode very special, it was the very first holiday storyline for Fresh Off the Boat, and it really was an episode of firsts: Louis’ first Halloween in the suburbs, Eddie’s first “normal” trick-or-treating experience, and Jessica’s first restored house since partnering up with her mother-in-law and Honey. However, as it tends to be the case when it comes to the Huang family, things never quite go according to plan.

Louis is psyched for his family’s first experience of celebrating Halloween since their move from Washington, D.C. However, he is disappointed when his youngest son Evan informs him of how they live on a “dead street”… and no, contrary to Louis’ original assumption, it has nothing to do with the walking dead or anything like that. As Evan explains, they live on a street where trick-or-treaters rarely visit. Unwilling to miss out on his first suburban Halloween, Louis guides everyone with preparing their street for the ultimate trick-or-treating experience (and all in a total of only five hours).

Meanwhile, Jessica- who has never been fond of Halloween as it gives kids an excuse to behave badly- has her hands unexpectedly full when her newly restored house is in danger of being attacked by a group of obnoxious teenage boys. She at first tries to get them preemptively arrested for something they planned to do. When that back fired, along with a failed attempt at recruiting her family to help, Jessica makes it her mission to protect the house at all costs.

While Halloween can be seen as a children’s holiday, this episode of Fresh Off the Boat focused more on Louis and Jessica’s experiences. Like in the last episode “The Fall Ball,” Louis’ obsession with American culture and fulfilling the American Dream was on display in full force. While it may have seemed corny when he made that heartfelt speech about bringing the Halloween spirit to their neck of the woods (with lines stolen from Field of Dreams), it makes sense when we remember where Louis is coming from: He’s a man who immigrated from Taiwan and has been working from the ground up for his family to be as successful and comfortable as any other American family.

Meanwhile for Jessica, her story highlights the darker side of Halloween; the side that adults may face when their property becomes a potential target for intrusion and vandalism. While she may seem like her usual wet blanket self, she does have a valid point about how Halloween is a time to be wary of pranks. The different outlooks from the two Huang parents is part of what make Fresh Off the Boat very unique; as it continues to expose different layers of common American traditions from the Huang’s Asian American experiences.

It was also fun seeing Halloween celebrated on Fresh Off the Boat; especially when it came to the costumes (though I confess to looking up who was dressed as who on Angry Asian Man’s blog post about the episode, for I didn’t recognize most of them). Despite her not having a big role in this episode, let’s please take a minute and zoom in on Grandma’s Garfield costume, for she looks incredibly badass in it!

Lastly, I also wanted to note Nicole’s return in this episode, for I was certainly surprised to see her (and that Eddie actually had enough dignity to talk to her without giving her a death stare). In a way, I can see her appearance making sense, not only because she and Eddie attend the same school, but also because his mom is friends with her stepmom. I wonder what role she will play from here on out?

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Featured image courtesy of ABC

Kollab Watches: Dr. Ken 1.04 – “Kevin O’Connell”

On last Friday’s episode of Dr. Ken, Hong Kong detective Wei Shen goes undercover into the seedy underbelly of California’s HMOs on his most dangerous mission yet… and if you understood that reference, then we can be best friends! Actually, in this episode we get our first proper guest star in Will Yun Lee’s Dr. Kevin O’Connell, a plastic surgeon, Korean adoptee, and Allison Park’s ex from med school. He’s also smoking hot and charming, which immediately sets off Ken’s more petty tendencies.

Much of the episode is spent exploring the aftermath of Ken discovering that his wife’s ex-boyfriend is essentially a “Korean Channing Tatum.” To make matters worse, Dr. O’Connell also immediately charms Ken’s co-workers and his kids, often by providing the attention that he’s been too self-centered to give himself. Everyone’s smitten by the perfect visiting doctor, except for Allison, who never told her husband about what her ex looked like because of his jealous nature.

It all comes to a head at the Welltopia Employee Banquet, where Ken is set to provide a “comedy” routine for entertainment, AND where Kevin is set to be the guest of honor. His jealousy and insecurity reaching a breaking point, Ken decides that Kevin will be the topic of his “biting satirical comedy” and proceeds craft a vicious roast of the child-saving, scar healing plastic surgeon. Unsurprisingly, it doesn’t go over well at first, but he pulls through thanks to some support from his missus.

The B plot in this episode involves Damona (one of the nurses on Ken’s team) encouraging Dr. Julie Dobbs (one of the doctors on Ken’s team), to be more open to socializing with colleagues. It was nice to get some more time with these two characters, especially Julie (Kate Sises continues to be the secret comedic weapon of the hospital scenes). Although not much character building actually took place (Demona was still sassy and Julie was still socially sheltered), both characters were able to get some good jokes in.

The high points for this episode came from the interactions between Ken and Allison. The fight between the couple after Ken brings Kevin home was an excellent showcase of Suzy Nakamura and Ken Jeong’s chemistry. The family scenes of Dr. Ken remain the most consistently funny, with Molly also continuing to nail her scenes. However, little bro Dave remains the weakest link in the Park family so far, suffering from a lack of characterization since that first episode (where did that artsy kid who didn’t give a crap about what everyone thought go?).

The other bright spot was Will Yun Lee as Dr. Kevin O’Connell. It was pretty awesome to see a portrayal of a masculine Asian dude on TV outside of Hawaii Five-O (where Lee also moonlights as a guest star) where he wasn’t some triad member or henchman, but a normal doctor guy who happens to be really good looking. Also admirable was how the only joke made about his “Asian-ness” was the initial misunderstanding about his name. We didn’t hear any dim-sum euphemisms about his sexy bits, or dwell on the fact that he was adopted. To me, that screamed progress! One of Dr. Ken’s strengths has been the portrayal of its characters as just regular people, despite being anything but in the world of network television.

Dr.Ken was picked up for a full season last week thanks to its strong performance in a tough Friday time slot. Personally, while I’m happy that the show was picked up (more stuff to write about!) I’m still waiting for the episode where the show finds itself and really makes a statement for that second season. With the way the show’s been improving since the pilot, here’s hoping that moment isn’t far off!

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Featured Image Credit – ABC

For some inspiration and laughs, Why Not Mindy Kaling? – A Kollab Book Review

It’s not much of a secret I am a big fan of Mindy Kaling as a role model and leading woman in comedy, and when she announced her second book Why Not Me? I knew I had to read it.

Kaling, star of The Mindy Project, also wrote Is Everyone Hanging Out Without Me? (And Other Concerns) in 2011 about her life, career, and lessons learned. Why Not Me? continues on that same theme, but includes more stories about how she worked to where she is, deserves to be there, and will stay content there until she moves on to bigger things.

“If you believe in yourself and work hard, you have a fighting shot at having your dreams come true.” – Mindy Kaling, Why Not Me?

The book’s broken down into four sections, starting off with “For the Ladies,” the obligatory chapter on beauty secrets, a story about Kaling’s brief time in a sorority, and some of the friendships made in Los Angeles. The other three sections delve into her career and life, updated since her first book to include less of The Office and more about The Mindy Project. My favorite chapters in the book talk about how she got The Mindy Project, the ways that beauty standard impacts her, and the titular chapter “Why Not Me?” where she talks about self-confidence. Kaling is honest and vulnerable, but never self-deprecating to the point where it sounds like her success is a mystery or undeserved.

Her overall feeling of content and confidence mixes with a sassy, big sister tone as she recounts tales of her past and career milestones. Kaling never sounds like she’s retelling specific stories for the glamour or name-dropping, coming across as more “I’m telling this story for a reason and to inspire, but this is pretty glamorous with all these names in it, right?”

“But my secret is this: even though I wish I could be thin, and that I could have the ease of lifestyle that I associate with being thin, I don’t wish for it with all of my heart. Because my heart is reserved for way more important things.” – Mindy Kaling, Why Not Me?

I highly suggest Why Not Me? to both fans who want to support Kaling and those who aren’t familiar with her. I wouldn’t call Why Not Me? a literary or social justice masterpiece, or particularly thought-provoking. But I feel Mindy Kaling is very under-appreciated in a business that strives to showcase its diversity. Why Not Me? is Kaling’s answer to that, asking why she doesn’t get the same recognition for doing much of what other actresses and comedienne’s already do. Because when people do think of great current role models, why not add Mindy Kaling to the list?

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Featured photo courtesy of Mindy Kaling’s Twitter

Kollab Watches: Dr. Ken 1.03 – “Ken helps Pat”

Maybe it’s the rep sweats talking, but I definitely wouldn’t be following a show like Dr. Ken if it wasn’t starring an Asian American family. I’ve mentioned on the KollabCast, the official podcast of Kollaboration that I also host (shameless plug), that in the “Must See TV” days, I was always more of a fan of Scrubs over Friends, and come to think of it, I haven’t really actively watched a multi-camera sitcom in a very long time. All that is to say while Dr. Ken isn’t my “style” of show, I have been enjoying following it, if only for the potential of what this show can become. But more on that after the summary!

The main story line of this episode was all about Dr. Ken’s relationship with his team. When confronted with the fact that he’s become out-of-touch  since ascending to senior staff, Ken attempts to negotiate on their behalf to get them out of the mandatory Saturday shifts mandated by his boss Pat. Half listening, Pat invites Ken over to his Yacht for dinner to discuss further, while really having his own selfish intentions for the meeting. Ken being unable to ‘read the room’ is not new territory, after his misunderstanding with Nurse Clark last episode, but it was interesting to see him pitted one-on-one with Pat for the first time and for him to learn how out-of-touch a “rich guy on a yacht” can really get.

Ken’s interactions at work are still some of the most awkward scenes in the show. You can feel that his co-workers are supposed to be friends, but everyone’s too busy throwing zingers that it’s hard to see it. While there’s been some character development over the last few episodes, the crew right now is still just a collection of sitcom archetypes (the sassy lady, the teacher’s pet, the one-sided bff) constantly throwing shade at each other and at Ken. Ken’s scene with Pat on the yacht is significant, because it seemed to slow the pacing down to expose some genuine character moments. Most of it is from Ken, who we see as a conscientious doctor. Pat on the other hand is still very much a cartoon character.

While Ken is out fighting on behalf of his crew at work, the Parks at home are faced with another challenge, Dave’s new unfortunate nickname from school, “Clompers.” It was fun to see the roles of the parents reversed from the pilot, with Ken being the passive dad and Allison becoming the overprotective mom (with an obvious chip on her shoulder). It was Molly, however, that stole the show as being the only member of the family with a plan (and kudos on her for understanding her particular set of skills also had a worth). I was kind of bummed that we never got to see her “Olivia Pope” her brother’s problems away, but I hope they continue this story line of Molly being the only rational member of the family.

All in all, it was a solid episode of Dr. Ken, which seems to be slowly catching it’s stride. Luckily, with its solid ratings performance, it might actually get the chance to find its footing despite the critical reviews, and I absolutely hope it does. Like I mentioned in the intro, I was a huge fan of Scrubs, and shows about doctors are rife with opportunities for emotional story arcs. Being a doctor is hard, and though we’re catching Dr. Ken after his rigorous life as an intern and resident, there’s probably going to be future episodes where Ken brings the stresses of having to make tough diagnoses home. I believe that’s when we’ll see what this show is really capable of.

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Feature Image Credit: Ron Tom/ABC

Kollaboration SF 6 Brought Musical Mash-ups and Familiar Faces

On the evening of Saturday October 10th, in the midst of San Francisco’s Fleet Week, the Marines’ Memorial Theater was occupied by excitement of a different kind: the 6th Annual Kollaboration SF Showcase. Unlike past Kollaboration shows featuring fresh-faced finalists competing in front of a panel of judges, all of the acts this year were alumni of past shows, with each of the six alumni would collaborate with another in a non-competitive exhibition of talent.

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R&B group ANAK – winner of Kollaboration SF 2 – and R&B/Soul band The Delivery – a finalist of Kollaboration SF 3 and 4 – were the first mash-up to perform. From original songs to covers, the two groups were a good mesh as vocals (from both sides) and instrumentals collided in an almost Motown-esque kind of vibe. They kept the energy high onstage and the performers were really engaging with the audience.

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The energy went from high to mellow as the next collaboration took to the stage. Melvin Sings!– a finalist of Kollaboration SF 4 – and &Blue – winner of both Kollaboration SF 4 and 2013 Kollaboration Star – were accompanied only by a guitar as they sang their set in a chill, laidback vibe. Their voices blended harmoniously together with each song they sang, as the audience soaked in their serene yet fun performance.

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The final performance brought together the musical talents of violinist CryWolffs Violin – a finalist of Kollaboration SF 3 – and a cappella group SanFran6 (whose members include a number of finalists from Kollaboration SF 4 and 5). Kicking off with a showdown between CryWolffs and SanFran6 member DRC Beatbox – winner of Kollaboration SF 5 – the rest of the a cappella group, who were also previously seen on NBC’s The Sing-Off, came together for a musical explosion made up with covers of hit songs. Together with CryWolffs as the solo instrumentalist, the singers of this collaboration performed along with him with melodic voices and skilled beatboxing.

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Host Ashly Perez of Buzzfeed Motion Pictures kept the audience entertained throughout the show and in between acts. From making her first appearance by dancing out onstage to Taylor Swift’s “Shake It Off,” to recounts of youthful shenanigans and even a rendition of “Smelly Cat,” she was an enjoyable and hilarious host. She even served as the judge for the audience singing competition that immediately followed the intermission and she, along with everyone else in the audience, was blown away by the astounding vocals of the eventual winner, Kollaboration SF staff member Layla Yu.

It was a fun night of tunes, jokes, and cheers; all without the stress of wondering who would be the winner at the end of the night. If anything, the night’s events served as a reflection of the words spoken by Executive Director Daisuke Kojitani in his introductory speech, explaining how powerful entertainment is in its ability to send messages and influence thoughts and lives, and why it’s so crucial now than ever before to provide a platform for a more accurate representation of the Asian American community.

In other words, it’s all about “Empowerment through Entertainment.”

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