The Legend of the KINJAZ

To call 2015 an exceptional year for the KINJAZ would be quite the understatement. In between making mesmerizing dance videos for YouTube, crowdfunding for a new dance studio in LA, growing an apparel line, and traveling constantly to teach passionate young dancers around the globe, they somehow also found the time to perform at countless events, including Kollaboration’s STAR showcase in November and VIBE Jr. on the same day.

I felt very lucky to sit down and catch up with Mike Song and Ben Chung, two key members of the KINJAZ, who I’ve become familiar with through my years in Kollaboration. Decked out with their KINJAZ gear inside our sleek white interview room, the combination of the dark urban dancewear with their calm friendly demeanor embodied the humble confidence that has become their signature. I struggled to find the right question to begin the conversation.

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KINJAZ Ben Chung and Mike Song with Kollaboration Executive Director Christine Minji Chang

Through deep breaths and a few laughs, Ben and Mike shared the long and intertwining narrative of how they found themselves coming together, along with their third major member Anthony Lee, to build the KINJAZ Empire. It is an awe-inspiring story of serendipity, growth, and above all, brotherhood.

The journey began when a teenaged Mike was living in Los Angeles in the early 2000’s and exploring his obsession with choreographed dancing, having long been inspired by the likes of Michael Jackson, Mr. Wiggles, and old school k-pop. Mike, like so many other youngsters before the invention of YouTube or any sort of shared social media, relied on attending live shows in the artistic community and school to connect him to the dance scene.

It was at a UCLA Korean Culture Night that Mike, then a 15 year old high school sophomore, first saw 19 year old Ben Chung perform with Breakdown crew, his dance group at the time.  Mike became an instant fan of Ben’s skill and style, and he would actively search for any other opportunity to watch him dance again. One day in 2001, Mike’s sister caught wind of a new talent competition called Kollaboration and heard that Breakdown crew would be competing in it. She told Mike about it and he happily attended the show. Funnily enough, this would be the night that Mike Song appeared in his very first viral video, where he danced against a then unknown David Elsewhere in the Kollaboration freestyle dance competition. At the start of the video, before David takes the stage, you can see a slight and skinny Mike rocking the signature AZN style of baggy jeans, frosted spiky hair, and glasses wow the crowd with his fluid dancing skills. Though Mike today laughs at that battle as the day he got “destroyed”, that night he learned about “the level of skill that exists out there, so that I wasn’t just comparing myself to kids at my high school.” More importantly however, that night Mike met Mike Chong, a member of Break Down, and finally had a loose connection to Ben. Score!

Fast forward a few years, Mike enrolls at UC Irvine, eager to join in on the huge, thriving dance scene on campus that Ben was already involved in.  Ben and Mike had collaborated a few years before for a performance that ended up not happening, but they’d stayed in touch.  Ben would adamantly advise his young friend that, without question, his crew KABA Modern was the group to audition for. Mike, who had already done a ton of research through downloading KABA Modern’s videos online, accepted Ben’s invitation to KABA’s Welcome Week show. This seemingly small moment had a massive impact on where both men’s lives would head.

Sadly, the overlap in Mike and Ben in Kaba Modern would be brief as Ben graduated just as Mike joined the crew, but their paths were destined to cross again down the road.  Ben graduated from UCI in 2005 and would move on to work in production for MTV, though throughout Ben’s corporate life, he never lost his love for dance or his dream to pursue it fulltime. Eventually, the call became too strong and Ben made the decision to take the plunge, quit his fulltime job, get an agent, and start teaching dance in LA’s studio circuit.

It was 2006, while Ben was teaching a class in a San Diego studio, when KB, a member from the infamous Jabbawockeez, would come to take one of his classes. At the end of this class, KB approached him to ask if he would join his new crew in San Diego. Despite it meaning a 2-hour plus commute for Ben from the San Fernando Valley to San Diego, Ben was all about it and it was a done deal.  Over the course of the next two years, Ben would dance and hang out with KB and his friends from the Jabbawockeez. He’d be called in when they had a couple shows with an open spot, and he’d eventually be “battled in” to become an official member of the Jabbawockeez dance crew.

In 2008, MTV premiered an explosive little show called America’s Best Dance Crew which would bring a mostly underground dance scene to forefront of mainstream pop culture. The first season’s competing west coast crews included the Jabbawockeez and, as fate would have it, an elite crew from the current KABA Modern roster, made up of Mike and his crewmates Yuri Tag, Cindy Minowa, Jia Huang, Tony Tran (a future KINJA), and Lawrence Kao (also a future KINJA).

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The ABDC Season 1 KABA Modern Crew – image via MTV

Ben and Mike’s crews would go head to head for numerous rounds with the Jabbawockeez ultimately taking the first America’s Best Dance Crew champion title.  KABA Modern would come in 3rd place.  Season 1 of ABDC was a truly groundbreaking moment not only for the dance scene, but also for the Asian American community. The series showcased that Asians can not only have jaw-dropping technical skills, but also, to some, surprisingly audacious and comical personalities that drew in fans week after week. This gave many Asian Americans youth across the country a tremendous sense of pride in a younger, more swaggerific representation of themselves on such a popular national platform. Because of the success of the show, everyone’s lives would never be the same.

After winning ABDC, the momentum of the Jabbawockeez would launch them full force onto a “rollercoaster of craziness” as described by Ben. The world was amazed by the synchronicity of the crew and intrigued by their powerful choice to cover their faces with white masks. Which they did so that viewers would stay attentive to their art as a collective unit instead of focusing on individuals. In 2010, after having performed on commercials, tv shows, and world tours, Ben and the crew would eventually head to the MGM Grand Hotel in Las Vegas to become the first dance crew to headline their own Vegas resident show called “MÜS.I.C.”

LAS VEGAS - MAY 07:  Members of the JabbaWockeez dance crew perform during the opening night of their show, "MUS.I.C." at the MGM Grand Hotel/Casino May 7, 2010 in Las Vegas, Nevada.  (Photo by Ethan Miller/Getty Images for Tabu Ultra Lounge)
Members of the JabbaWockeez dance crew perform during the opening night of their show, “MUS.I.C.” at the MGM Grand Hotel/Casino May 7, 2010 in Las Vegas, Nevada. (Photo by Ethan Miller/Getty Images for Tabu Ultra Lounge)

In the meantime, Mike would continue his dance career post college through teaching with KABA Modern. In 2010, Mike rallied a crew along with his best friend and former college roommate, Anthony Lee.  Anthony had recently decided to move away and quit dancing, and Mike decided to create something fun as a “last hoorah” since they had never officially performed together. They called their one time project ANBU Black Ops, their name, and costumes, inspired by the Japanese anime Naruto. As a part of ANBU, Mike would grace the Kollaboration stage again for Kollaboration 10 in full ninja gear, highlighting an already incredible night at LA’s Shrine Auditorium that also featured the night’s winner Clara C, and audience choice winner Jason Yang. Though it was only their second performance ever as a crew, it became a turning point for Mike and Anthony as they realized that this could become something more. Mike recalls, “That was when we decided, maybe this isn’t just a one-time thing. Let’s do it again. Let’s friggin’ build this thing.” It was at this moment that ANBU Black Ops began its transformation into the KINJAZ.

As luck would have it, at the same time as this momentous epiphany, Mike received a call from Ben inviting him to be a swing dancer (like an understudy) for the Jabbawockeez Vegas show. The next morning, Mike and Tony Tran would get into a car and head out to join the Jabawockeez. Over the course of almost a year in Vegas, Mike’s conviction to dream big and build a dancing career and show on his own terms gathered steam. Mike reflects on this time, “The whole time I was there, I just couldn’t help but think, ‘Dang. I want to do this. I want to do this in the way that I want to do it.’”

After his stint in Vegas and a long supportive heart to heart with Ben, Mike returned to southern California to continue a solo dance career after an attempt to reignite the KINJAZ unsuccessfully.  He’d link up with the likes of Terry “KRNFX” Im to develop their famous “Dancebox” routine, dropping by the Ellen Degeneres Show to show the world what’s up.  Anthony Lee would also do the same, though they would always have the idea and dream of the KINJAZ in the back of their minds and hearts.

After several years of performing in Las Vegas, Ben returned to his hometown of Los Angeles, ready to explore opportunities for the next leg of his creative journey. Upon arrival in LA in 2014, Ben would get back in touch with Mike, as well as other old friends like Movement Lifestyle founder Shaun Evaristo and Anthony. Described as yet another perfectly serendipitous moment, together they would embark on a roadtrip to Arizona to reflect and explore where the road may be leading them next as artists.

It really was then in the late fall of 2014 that the pieces really started to fall in place for the KINJAZ to come to life. With Ben now permanently back in LA, and with years of solo careers and experiences under their belts, it was time to awaken the “sleeping beast” as Mike called it. And so they made the commitment to making the KINJAZ crew a reality.

After a few months as a newly cohesive crew, MTV announced a revival of America’s Best Dance Crew causing an uproar of excitement from dance enthusiasts. They’d go on to compete against the best crews in ABDC history with elaborate sets and striking black and white costumes that channeled urbanized martial arts fashion. They even brought back Mike’s frequent collaborator, Terry “KRNFX” Im to beatbox one of their sets in a viral video that floored the judges and the world. In the end however, the ultra dynamic Quest Crew would take home the top ABDC 2015 title.

In late 2015, the KINJAZ fanbase successfully crowdfunded an Indiegogo campaign for the KINJAZ Dojo, their very first studio out in east LA. Since its soft opening in early 2016, friends and well-wishers have come taken classes in droves. In addition to resident crew members, special guest teachers like Shaun Evaristo, Chris Martin, Jillian Meyers, Bam Martin, and Ian Eastwood have also made appearances. Not that running a studio or a wildly successful in-house clothing line has slowed them down as a crew, the Kinjaz were also selected as Company of the Year at the 2016 World of Dance Awards. No big deal.

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The KINJAZ performing at Kollaboration STAR 2015 – photo by Anna Xian

The future is looking mighty bright for Ben, Mike, Anthony, and the rest of the Kinjaz crew. Their story continues to be one of providence and unwavering determination. While the KINJAZ do have plans to create their own hour-long show and expand their content and merchandise, their larger overarching goal is to create the dancer into an artist at the forefront. I don’t know about you, but I’m going to keep an eye on them for a reminder of not only how important it is to follow your dreams, but how possible it is too.

Ben reflects, “It becomes something more daily. We believe in this thing. It’s not just a gimmick, it’s not just a hobby. And those who believe in something to that degree are those that will make a difference. It’s until the wheels fall off.”

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Cover Photo via The KINJAZ

A huge shoutout to Ben Chung for being one of the founding leaders of Kollaboration and coining our name.

Grab yourself some Kinjaz Kollection merchandise and sign up for classes at: www.kinjaz.com
Treat your eyeballs to Kinjaz videos by subscribing at: www.youtube.com/thekinjaz
Follow the Kinjaz on Twitter, Instagram, and Facebook

Check out their most recent performance at VIBE Dance Competition 2016

 

The Originals’ Lawrence Kao talks Kinjaz, Witches & the Pursuit of Acting

Being falsely accused and arrested for attempted murder on his 18th birthday may have been a blessing in disguise for actor/dancer Lawrence Kao—it solidified his pursuit in acting.

Born and raised in Hacienda Heights, this California native has been known in the dance scene on America’s Best Dance Crew with Kaba Modern and his time now with The Kinjaz. However, he can be seen more often pursuing his primary passion: acting. He’s appeared on shows like Hawaii 5-0, The Walking Dead, and soon—the CW’s supernatural drama The Originals. Kollaboration recently had the opportunity to sit down with him as he talked about Kinjaz, his role on The Originals, and his pursuit of the craft.

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The Kinjaz were just announced to perform at Kollaboration Star next month in Los Angeles as special guest performers—How did you get involved with Kinjaz?
It all stems from me doing Kaba Modern in college. All our group of friends are dancers—Mike Song, Anthony Lee—he was on CADC—we were all friends and stuff. They’ve always wanted to create a group.

Kinjaz competed on America’s Best Dance Crew‘s comeback. What was it like sitting on the sidelines this time?
Dude, I thought it was awesome because, obviously, I had to do nothing. All I had to do was watch and support. These guys are guys I grew up with for a very long time, so it’s awesome to see them on such a big stage at the level they are at now knowing how we used to be when we were younger. It helps me appreciate it a lot and all the hard work they’re putting into it not just for themselves but for the whole team in general.

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Muneer Katchi (left), Lawrence Kao (center), David Reivers (behind), & Vijaya Kumari (right) in the film CIrcle

Has your dance background helped in the development of your acting career?
It’s funny—after ABDC and after the show—I started going to auditions because the dance stuff was done now. But I had ABDC on my resume—and it was so popular at the time. At these acting auditions they were telling me to dance. So it was like “oh can you dance for us!” So then I took it off my resume. I set it aside because I felt like at that time, I didn’t want to be just known for dance. I had a really weird relationship with dance right after [ABDC.] I didn’t really enjoy doing it. I mean, I had a good time, but I didn’t really—but looking back at it now, I should have appreciated it more. But at that time, I was like “F— this shit—I want to focus my attention on doing acting” when I could have used dance to propel me toward bigger things. I feel like I had to separate it a bit, so I could go back to [dance.] So now [dance] is so cool. I still dance with Kinjaz.

What made you decide to pursue acting?
It’s a crazy story. So in Senior year [of high school], we were doing a Shakespeare play—Midsummer Night’s Dream—I was playing Lysander. We were doing previews for the English classes just so people can go and watch the show. During one of the previews, I get arrested in school. They take me to jail, and it’s my 18th birthday. I’m suppose to do this show at night, but I’m in jail for over 3 days…and what [the police] said I did was attempted murder and assault with a deadly weapon. So I’m trippin’ out. They’re telling me I’m going to be there for 40 years minimum. So that whole week, I was thinking: “What do I want to do with my life?”

But by the end of the week—for some reason—they let me go, and I got to go back to school. It was the closing night of my performance, and the director’s like “Hey, do you still remember your lines?” So I do the play and I’m on stage, and I’m like “Aw, man, this is what I want to do for the rest of my life.” Because I’ve been thinking about it that whole week. I changed my major [to drama] and went to UC Irvine. I did some main stage shows at UCI—still loved it. I knew that after I graduated, it was still something I wanted to do. Dance obviously took over for a little bit. I love dancing—it’s still a passion of mine—but it was never as strong as my passion for acting.

Did they even find the guy who committed the crime?
They didn’t even find the guy. I don’t even know what the story was; there was a couple stories as to why I was arrested. The people who got really messed up pointed me out in a yearbook. Obviously, it wasn’t me. It was definitely a blessing in disguise—it really solidified what I wanted to do. I feel like knowing that at such a young age is so powerful.

You were recently cast on the CW’s Vampire Diaries spinoff The Originals as Van Nguyen. What can you tell me about your character?
I’m a witch. And something happens. And I get pissed. So far, he’s been pretty ruthless and stubborn as to what he wants to accomplish in terms of revenge. He doesn’t want to get involved with what’s going on in the quarters, but because of certain situations, he feels like he’s forced to and he has to. I feel like he’s a very passionate character—he really believes in the things he believes in.

Danielle Campbell and Lawrence Kao on the set of The Originals
Danielle Campbell and Lawrence Kao on the set of The Originals

He’s sort of like your co-star’s character, Vincent (Yusuf Gatewood), in that sense.
Yeah, he’s sort of pushed toward that direction. He has no choice but to do that. I feel like once he gets that [goal], “It’s like alright, things are good again.” But then I feel like it’ll be him having to do more things. Obviously he’s pissed. Like he wants justice for what’s been wronged to him and his people.

What’s it like playing a supernatural character?
It’s fun. I love supernatural things. You get to use your imagination more. I feel like it’s still such a young character too—like early 20’s. I still think they think I’m pretty young, or I feel like the cast does when I’m walking around and talking about stuff. It’s such a roller coaster though. I never know how long my characters are going to last, so I’m sort of hanging on a string.

According to your social media, you’ve worked with Danielle Campbell (Davina) and Yusuf Gatewood (Vincent). How was it working with them?
They’re awesome. It’s just fun. Everyone is just super professional. Everyone’s on top of their game. It’s just fun working with a great cast and great crew. Everyone’s so nice and hospitable.

Have you watched the show?
I started watching it recently—maybe last month. I’m in the middle of the second season. I like it a lot. At first, I was like “oh man, this is going to be like a teen TV show.” But after a couple episodes, I was like “Wow, this is really good.” The actors are actually really damn good—That made me excited. Joseph Morgan is awesome. The sister (Claire Holt)—she’s awesome too.

Do you have any future projects lined up?
I’ve been asked to audition for a couple plays. There’s also a film I shot 5 years ago—it’s in post right now finally. I just ADR’d it maybe two months ago. It’s taken a while. But it’s a cool little movie. It’s a romantic comedy with me and some girl. I’m just waiting for it to come out.

You also had a strong YouTube background too. Can you tell me about that and are you still making online content?
Yeah, like 2 years ago when I was not booking anything—I was like, oh I got to make my own original content. I have a lot of dancer friends that choreograph a lot, and they’re always able to show what they can do [online]. I had a strong desire for people to see my storytelling capabilities and just me being able to act. That was fun. It lasted for about a year. I used to put stuff up constantly, and then I got busy, which is cool. But I still want to go back to YouTube doing stuff and creating content. But right now it’s just focusing on other things that are in the way or are happening right now.

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For more of Lawrence Kao, follow him at @iamlawrencekao on Twitter and Instagram.

Also, be sure to catch his debut as Van the witch on The Originals this Thursday, October 15 at 9pm ET/8pm CT on the CW.

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Photos Courtesy of Lawrence Kao